While browsing through the new releases from my favourite labels, I stumbled upon ‘The River’ by silentwave, the creative outlet of Japanese musician, Yoshinori Noguchi. The album appears on the Parisian label, Hylé… Continue reading
This is mesmerising. ‘Atmospheres vol. 1’ is the stunning debut album by Ann Annie, delivering a wide range of synthesized atmospherics and exploration into the depths of modular synthesis. We have seen a… Continue reading
‘Histós Lusis’ is the latest album from Anthony Elfort, under the pseudonym of Toàn. Known also as Qiwu Selftet, releasing a number of albums that fuse together hip hop and jazz (seek out… Continue reading
‘The Duality of Man’ is the stunning debut of Alexander Roberts’ new alias, Kepier Widow. Formerly performing and releasing music under the name of Joseph Curwen, Roberts is well established within the world… Continue reading
Recently we took some time to chat to UK Ambient artist Halftribe: IC: For a listener who is unfamiliar with Halftribe, how would you best describe your own music? HT: I would say… Continue reading
‘Lejano’ will be the latest album to be released on Girasol Music, coming August 2017; written and produced by Michel Mazza, the New York-based ambient and experimental musician under the name of OdNu.… Continue reading
The latest ambient offering from Lincolnshire-based Spheruleus (Harry Towell) comes in the form of a ‘tea-break’ listen – an ongoing output of net-label, Audio Gournmet, curated also by Towell. As mentioned in a… Continue reading
‘Uses For Pavement’ received its release on Whitelabrecs towards the end of June. Brooklyn-based Andrew Farwell makes use of processed and re-purposed guitar recordings that were once discarded. Such recycling of recorded sounds often… Continue reading
‘Short Stories’ is a gorgeous and delicate offering from Shuta Yasukochi. The Japanese artist’s debut appears on the label Archives, spreading a sense of calm and positivity to the listener. A careful blending… Continue reading
Fluttering pianos fades in and out in the opening of ‘Gaslight’, complimented by crisp rustling and clicking of untouched instrumental nuance. One can only imagine the musical representation of waves, tide, and the… Continue reading
