Floor Overhead – ‘Uses For Pavement’

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‘Uses For Pavement’ received its release on Whitelabrecs towards the end of June. Brooklyn-based Andrew Farwell makes use of processed and re-purposed guitar recordings that were once discarded. Such recycling of recorded sounds often… Continue reading

Michel Banabila – Sound Years

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I came across the sound world of Michel Banabila about three years ago through the work of Machinefabriek, the moniker of soundsmith and graphic designer Rutger Zuyderveldt. Both artists are based in Rotterdam.… Continue reading

Shuta Yasukochi – Short Stories

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‘Short Stories’ is a gorgeous and delicate offering from Shuta Yasukochi. The Japanese artist’s debut appears on the label Archives, spreading a sense of calm and positivity to the listener. A careful blending… Continue reading

James Maloney – ‘Gaslight’

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Fluttering pianos fades in and out in the opening of ‘Gaslight’, complimented by crisp rustling and clicking of untouched instrumental nuance. One can only imagine the musical representation of waves, tide, and the… Continue reading

Josco and Spheruleus – Folded Distance

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Having recently mastered a two track, house-orientated EP by Magnofon (Harry Towell’s more beat-driven alias), I’m brought back to the early days of exploring independent ambient music, where Spheruleus was one of the… Continue reading

Manos Milonakis – Festen

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Manos Milonakis’ ‘Festen’ is the latest release on Moderna Records; the label of Montreal, Québec, that continues to yield the highest quality in new modern classical music. Milonakis manages to bring intricate classical… Continue reading

Pemë – Wooded Ghost

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Koral Ptach and Wiktor Kurc are Pemë a new offering from Poland and a new offering from Etoka Records. The inspiration for this delightful 5 track EP is Kodama small ghost-like spirits that inhabit trees in… Continue reading

Constellation Tatsu – Spring Batch 2017

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Opening Remarks As spring draws towards its warm close, I’m reminded to provide a now belated review of this year’s ‘Spring Batch’ of cassettes from Canadian-based label, Constellation Tatsu. Following a number of… Continue reading

Ezekiel Honig – A Passage Of Concrete

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Ezekiel Honig’s ‘Folding In On Itself‘ is an all-time classic for us, in minimal sound art as it blurred the lines between Ambient, Electro-Acoustic composition and Lo-Fi Techno. In ‘A Passage Of Concrete‘… Continue reading

Tara Jane O’Neil – S/T

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Warm, hazy and lazy Folk songs from LA’s Tara Jane O’Neil in her self-titled album. I was drawn to this record initially with it reminding me of the work of Joan Shelley and… Continue reading