Israeli Artist Yair Etziony’s previous releases fizz and buzz and click. Here on We Were Here Before, We Will Be Here After, the producer makes a suite of more formal soundtracks, where the… Continue reading
Irregular Crates and Whitelabrecs owner Harry Towell (Spheruleus) has put together a list of his favourite albums of the year, complete with a mix. Read below for Harry’s summary of the year followed by the… Continue reading
Abstract Music (on improvisation, ambient, drone and other amorphous sound art) Music and Non-Music If you are reading this then it’s safe to say that you probably listen to some pretty… Continue reading
Ever since first hearing Éric Cordier’s Breizhiselad in 2010, in which degraded Breton choir samples enter an electro-acoustic process and emerge sounding both impossibly gnarled and (mostly) still beautifully choral, I’ve delighted in… Continue reading
What we have here is in fact quite a unique little collection of music. I use the term collection in that there are several individual parts at play, though perhaps collection is not… Continue reading
The packaging is exquisite the mastering beautiful and the vinyl is solid. The fact that the composer has strong links to this blog does not affect my evaluation of Light Through Open Blinds… Continue reading
I recently had the great pleasure of spending a few days with danish sound artist Lars Lundehave Hansen. It went beyond the traditional listener-musician relationship, I will disclose. Not in any dubious way… Continue reading
This is an ambient record by Caught in The Wake Forever aka Fraser McGowan but it also sounds like an autobiography. I bought it for the cover by Alexander Kopatz. Sorry, but I… Continue reading
During my most recent review, I talked about the importance of live performance within the experimental music scene. You can read all about Eumig’s ‘Live Recordings 2018’ here, but to summarise: experimental music… Continue reading
Live recordings within the ambient and experimental music scene aren’t as widely available as I believe they should be. Before the dominance of YouTube, the ‘live album’ and bootleg recordings of the artists… Continue reading
